The quintet is comprised of five of Boston’s finest young musicians: Sara Bielanski, vocals; Rob Bethel, cello; Todd Brunel, clarinets; Del Case, piano/keyboards; Ed Broms, bass, piano and percussion instruments.
|Tickets are $15 for table seats, $12 for stool seats, $10 for standing room, available by visitingwww.americanrepertorytheater.org, calling 617-547-8300, or at the door, as available. For more information, please visithttp://timtastic.com/themeltdownincentive/index.htmlor follow The Meltdown Incentive on Facebook.|
22 May 2013
20 February 2013
Friday March 22, 8:00, All Saints Parish, 1773 Beacon St, Brookline, MA 02445
The Vortex Series for New and Improvised Music is proud to present a varied program that will include new vocal music by composer John Heiss featuring soprano Jessica Cooper with pianist Scott Nicholas. The acclaimed New York based percussion duo, Loop 2.4.3 will present original acoustic and electro-acoustic works which blend classical jazz and rock influences. The program will also feature the Black Brunel and Carlson Trio, presenting new works for viola clarinet and piano by Libby Larsen, Gordon Jacob and the world premiere of 'Focal Point' by composer Pamela Marshall. In keeping with the Vortex tradition of musical experimentation, the evening will also feature first time improvised collaborations by featured artists.
Loop 2.4.3 creates uniquely American music with a rock and roll heart and skills informed by classical training, jazz, poetry, and experimentalism. Praised for their “intricate, energetic performances,” (New York Times) and their “taut compositions with a stunning improvisational sense,” (Time Out Chicago) virtuosic percussionists and composers Thomas Kozumplik and Lorne Watson create evocative narratives using percussion, electronics, voice, strings, and more. Their “transportive percussion odysseys” (Boston Phoenix) journey through grounded primal energy to cosmic atmospheric reaches in “dramatic, layered, colorful, and brilliantly constructed” (First Coast News.com) compositions most often compared to the music of Steve Reich, Terry Riley, and Harry Partch. “Kozumplik and Watson never sound like makers of arbitrary music...It all sounds like part of a well-thought-out tradition. Only the tradition has never existed until now.” (Fresh Air, NPR)
Pianist Scott Nicholas is on the faculty of Emerson College and Suffolk University. His affinity for playing the Spanish repertoire has led him to appearances in L’ Antigua, Guatemala at the Mosaico festival, and also a command performance for the President and First Lady of El Salvador. Locally, he has been heard on WGBH Boston, live- radio broadcast, and has appeared with the Borromeo String Quartet, the New England Chamber Orchestra, and the Airforce Band of Liberty Chamber ensemble. He currently performs as a soloist in the Boston Secession.
Violist Anne Black enjoys an active career as both a musician and visual artist. She performs with the Boston Pops Esplanade Orchestra, as well as with the Boston Symphony and Boston Pops as an extra violist. She is principal violist of the Pro Arte Chamber Orchestra of Boston, and the orchestras of the Cantata Singers, Concord Chorus, and Metropolitan Chorale. A frequent performer of contemporary music, Black is violist of the Dinosaur Annex Music Ensemble. She also performs with Collage New Music and can be heard on Collage’s Grammy-nominated recording of John Harbison’s Mottetti di Montale. She appeared as viola d’amore soloist in Meyerbeer's opera “Les Huguenots” with the American Symphony in 2009.
Paul Carlson performs frequently in the Boston area both as a solo recitalist and as a collaborative musician. Freshness characterizes his programs, which strike a careful balance between the familiarity of great music of the standard repertoire, and the exciting discovery of new or neglected works. Beginning with his doctoral work at Boston University, he has studied the piano performance style of Claude Debussy, including extensive analysis of early sound recordings made by pianists close to the composer, as well as by the composer himself. In addition to performance of Debussy, Dr. Carlson is keenly interested in the playing of pianists active during the three or four decades before World War I. His recitals often feature music from this period, as well as unfairly neglected music from the early 20th-Century. Music of living composers also forms a strong component of many of his performances, as was shown by his premiers of works by Hayg Boyadjian, John McDonald and Marti Epstein. He also performs frequently with the Lexington Symphony, with whom he has played concertos by Darius Milhaud and Amy Beach. Dr. Carlson’s teachers have included Tong-Il Han, Raymond Hanson, Maria-Clodes Jaguaribe, Boris Berman and Fred Broer. He has taught at Gordon College, the Boston University Tanglewood Institute and the Lexington Music School. He also serves as President of the Chromatic Club of Boston, a 123-year-old club dedicated to providing performance opportunities to some of the most talented emerging musicians in the Boston area.
Admission: $15.00 general, $10.00 for students and seniors
All Saints Church is wheel chair accessible.